
The Other Side of Heaven. Silk, spray paint, glitter, acrylic paint, transluscent fabric, beads, pearls, rhinestone.

Snow White, Jan-Apr 2009. Mirrors, Acrylic, spray paint, lace, pearls, glitter, fabric on canvas. 16 feet x 8 feet. (500m x 250m)
“Snow White” (2009), a pinkish, whitish polychromatic painting, reflects a cultural construction of femininity. It is a moral story in which the woman is supposed to clean the house and serve the men. The princess is at her most beautiful moment when she is dead, lying down in a glass coffin like an object - she is a commercial herself. The marriage to the prince is a “happy ending”. “Snow White” is a fantasy of total control that becomes monstrous and leads to the insane. The use of mirror is like a dialogue with the sun and the moon. It is also inspired by Borges’ Tlon, Uqbar, Orbis Tertius, which is a fantasy of mirror and encyclopedia, and a critique of standardized cultural massive pleasure of goods. In today’s world of industrialization and flow of interaction, our most intimate personal desires and fantasies are perhaps merely adaptations, reoccurrences of the same story, sometimes Baroque, sometimes Disney, always prefabricated.
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